Comments for Shelley Rice

Comment on « Life Worlds » by Shelley Rice by shelleyrice

shelleyrice — Sun, 21 Oct 2012 23:59:29 +0000

In reply to rosa.

Yes, yes, yes. But I don’t think it’s a question of Dakar OR New York. I’d like to see these shows and issues surface in Dakar, New York, Ethiopia, Morocco AND AND AND….
Thank you very much for your comment, Rosa.

Comment on « Life Worlds » by Shelley Rice by rosa

rosa — Fri, 12 Oct 2012 20:50:51 +0000

I really have appreciated your blog. Your comments are fresh, incisive, clever and optimistic. Thank yiou very much! Dealing with your latest post, I would rather like to see this great Walter collection not only at the ICP in NY, but in Dakar, Morocco, Ethiopia…. and so on. Don’t you think so?
THANK YOU.

Comment on Domestic Tension: An Interview with Wafaa Bilal by Shelley Rice by rosa

rosa — Fri, 05 Oct 2012 20:46:27 +0000

Thank you Shelley. I was wondering if as Wafaa said digital connectivity is not anymore a tool but a medium itself, what kind od specificity virtuality has in relation with other medium like performance, video, image in general. Do you think that internet could open a new field of artistic expression? How? thanks

Comment on “Anne Sinclair, Diane Arbus and Me” By Shelley Rice by Frederieke Taylor

Frederieke Taylor — Tue, 11 Sep 2012 19:31:37 +0000

Tres interessant!!! Two nice Jewsih girls indeed, how much alike and also how different.

Comment on « The View from Left Field » by Melitte

Melitte — Tue, 11 Sep 2012 15:32:30 +0000

For those of us who are primary source junkies there is nothing more exciting than opening a plain old box and finding the visceral remains of what was and what we still connect to. I look forward to seeing more of this amazing collection.

Comment on “On Meaning, Chris Killip and a Girl Chewing Gum” By Shelley Rice by Allison Unruh

Allison Unruh — Thu, 06 Sep 2012 00:27:31 +0000

Chris Killip was a challenging teacher, and his engagement and directness of vision come through in his photographs just as well as in his lessons. I’ve admired his work for years, although this review adds great context and nuance to my understanding of his work. Very timely issues, too.

Comment on People in Glass Houses… By Shelley Rice and Pepe Karmel by blackhat

blackhat — Tue, 24 Jul 2012 15:37:27 +0000

I am so happy to read this. This is the type of manual that needs to be given and not the random misinformation that’s at the other blogs. Appreciate your sharing this best doc.

Comment on Welcome to Photoville! By Shelley Rice and Lorie Novak by Wendy lesser

Wendy lesser — Wed, 04 Jul 2012 21:38:36 +0000

Lorie. You are amazing!!! Your cousin, Wendy

Comment on Post-Card from Documenta 13: Walid Raad, Arabian Nights and the Pitfalls of Pilgrimages by shelleyrice

shelleyrice — Sat, 23 Jun 2012 23:14:05 +0000

In reply to thierry geoffroy /colonel.

Please tell me what he says, Colonel.
Thank you for your impassioned response.
sr

Comment on Post-Card from Documenta 13: Walid Raad, Arabian Nights and the Pitfalls of Pilgrimages by thierry geoffroy /colonel

thierry geoffroy /colonel — Fri, 22 Jun 2012 15:13:00 +0000

great subject and great text
actually after the 50 mi of walid i start to cry
real artist doing genious art is really touching
I collapsed
now some weeks after I ask myself why does Walid does not take the documenta as a subject of investiagtion ( and fiction )

why all artist are looking at far away subject when there is so much to look within the staging of documenta

why kabul

i need to go back to ask Walid